TOAD IN BETWEEN
1.
Toad
beside my shoes, pissing, milk from his ears,
blood
on him, heart in his throat. I
scoop
you up, soil and all. Save your skin. Don’t start
those
tricks of yours, bloating, swelling, who
dies
like that? No next world, I want you
now,
swap then. Be me, let me run dry
in
your hand! Your turn. Look after the wifey the carport
keep
the cat in till I’m at the pond and don’t
kid
yourself. I’ll save my skin. Send you the bill.
2
Toad
gets up, dances. Woken volcanoes his warts.
Swaying
from foot to foot he lives
more
loosely from the hips than the expected
Toad,
predictable from
study,
who loosens his skin and eats or curls his
flap-tongue
round the fly. So
does
Toad sprout into the world, move
up
the road, flatten the cars, so. Dances the water
water,
reed reed, grants Her his small trill,
grabs
Her, spouts on Her strands. (God his
eruptions!)
3
Between
scenes is what he is.
Then
too. Right now too. Turns up hurriedly from
under
his pot, scuttles off hurriedly:
who
notices. Call him a stay-at-home
because
you keep on glancing at him and
from
then to then see little difference:
What
mustard he can cut remains the question.
Now
look, image of what he does. Does not. Frame:
glide
into it, his golden ball aloft,
‘bear
me to your father’s table,’ out
like
that, a wavering, 1 foot that’s lifted
and
put down. Mark the question
(did
kissing take place while you wrote?): thus forge
Toad.
A question of counting.
More
or less. Just a little.
4
Shrieks
towards the end. Toad Ripthroat. Tears
himself
in half, air split so far apart
that
with a thunderclap your heart stands still
while
his long shriek dies down and all once more just
rumbles
as if nil. No feather fallen,
no
hair harmed for he possesses none.
Now
all the stories must be polished up,
the
dresscoat freed from mothballs, instruments
of
soul and spirit tuned, tables laid out,
a
ring dance must begin without delay,
great
Toad is dead, come on let’s dish him up.
5
Beside
all lies all. Beside Toad
lies
flattened Toad, beside waffle wafer,
here
too at his thin-skulled body that I serve
with
the fly in my eye and the fly in my throat, I
will
take him like this. His cleft eye his storm cheek
choke-bag
shrivel-belly. After all it’s
me
(whoever) that disposes of him,
sinks
nails in his exploded improper flesh.
Soldier
return to the mud, creep into my blood.
Don’t
let go easily. Don’t
hurry
to be delivered.
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