Friday, 30 July 2010

Workshop poem by the Dutch poet J.C. Bloem - fifth draft



DE NACHTEGALEN

Ik heb van ’t leven vrijwel niets verwacht,
’t Geluk is nu eenmaal niet te achterhalen.
Wat geeft het? – In de koude voorjaarsnacht
Zingen de onsterfelijke nachtegalen.


THE NIGHTINGALES

Of life my expectations have been slight,
Joy’s just a thing to which we go on clinging.
What does it matter? – In the cold spring night
Once more the immortal nightingales are singing.

This is the second Bloem workshop poem. To see the first go to here, and the second here.

Friday, 9 July 2010

Poem by the Swedish poet Hjalmar Gullberg


Jag trodde på en gud

Jag trodde på en gud men han visste det inte,
han fick aldrig veta att jag trodde på honom
ännu många år efter han var död.
Vid ingående förhör med mig om saken
blev jag upplyst om det verkliga förhållandet.
O slocknade stjärnors ljus som når försenat fram
till ögon i natten! Jag har skådat min gud
som han var i sin härlighet före katastrofen.
Han fick aldrig veta att jag trodde på honom
och att jag inte visste han var död.


I believed in a god

I believed in a god but he did not know it;
he never found out that I believed in him
even many years after he was dead.
On close interrogation with me on the matter
I was informed of the actual state of things.
Oh, light of extinguished stars that reaches
delayed the nighttime eye! I have viewed my god
as he was in his glory before the catastrophe.
He never found out that I believed in him
and that I did not know he was dead.

Wednesday, 7 July 2010

Poem by the Dutch writer René Puthaar

HOMECOMING

(after Mallarmé's 'Brise Marine')

The sailors are silent. Only the heart sings now.
Beneath the keel the deep reef calls, the mast is tall,
A zephyr softly strokes the ship’s deck and its prow;
No seaman’s grave is once more promised by some gale.
By hope so sorely vexed all human senses grow
Contrary now the flag flies from the harbour wall.

Farewell, exotic nature. Lower your anchor,
Steamer, homecoming draws near. See the people wave.
Nothing about the mother and her child has altered,
Nothing still guards from stories the empty page
When morning light pronounces doom on loneliness
And, capable of all questions, pulls up more weeds.
Waylaid the heart fast plummets, but with steely face.
Between the so familiar foam and sky I see
Birds, foolhardy, drunk, though almost home. Home ahead!
The flesh is sad, alas! and all the books are read.

(To see the original poem and Arthur Symon's translation, go to here)

Monday, 5 July 2010

Poem by the Dutch writer Alfred Schaffer


THE PARALLEL UNIVERSE

At that time Superman was known as extremely friendly.
He would greet politely at the breakfast table,
pass the sugar when asked
        and enjoy the breathtaking panorama.
He would play old music when making decisions
and afterwards phone his mother.

Until the night the windows of his birthplace were smashed
his balloon face hung like a boy’s dream
        throughout the town.
He asked: take pity on my situation,
but had to wave his fists
                to keep people’s attention.

He became The Great Absentee. He would sneak in
        and sit on the back row of theatres
and roar for another encore, or grin for minutes on end
at women in the lift via mirrors
                and bide his time.

He has done marvels by leaning forward
        at unguarded moments
and whispering something into an ear,
by adding moustaches to unknown people’s photos
in the scrapbooks he took with him to auditions.

He could actually fly. Whenever he felt bored
he simply rented a couple of comic films.

Friday, 2 July 2010

Poem by the Dutch writer Willem Jan Otten



ALEXANDER AND ETERNITY

1

His garden philosopher he called me,
but I was toothless and intrigued him
by being doting and untravelled.

I saw that something scared him,
hard to know precisely what, oh nonsense,
he said, and then I just let slip:

you fear the first of January.
What do you mean, he softly asked.
Eternal one, I said, a chance remark,

I spin on my own axis, while you move.


2

For a great conqueror time is
the forward downward thing,
the deep-descending chute where all

the realm collapses in a ceaseless fall.
Iskander was so right. Time only moves
in one direction. Shall. Shall.

But by the never-ending Royal Road,
at every hamlet’s edge there always stands,
just like a bar line in a music stave,

a mumbling philosopher like me, who waves
and tells Iskander: Your journey, that is me,
and I’ve a memory that’s pitiful,

not even you will I take to my grave.


3

There’s no direction and no downward path,
were there no toothless poet to be passed,
eternity is where the conqueror

without contrivance loses all his wits,
it’s just a flash, and then the sideways step,
the Mighty Will stills all his legions

and wipes the dotard drivel off my skin.

Wednesday, 30 June 2010

A suite of poems by the Swedish writer Lennart Sjögren


Crow suite

Searched out my soul
creatures with crow’s wings
the three-legged
and every other possible thing
outside the normal.
Everything outside the normal.

Was submerged in my soul
a late-Roman pair of twins
with wolf fangs
and the fish of fishes.
They copulated with each other
and what wasn’t given birth to
because of these acts.

*

Had lived peacefully quite some time
had sought my food among the classical
and even the refuse bin had a classical touch.
Had spent quite some time among
the embalmed
where right was right and evil was evil.

*

Come for a night into my soul
dwarves with cow-horns in their forehead
spiders with faces of closest friends
and my own portrait
brought in by wood-lice.
Talking lilies and stone barriers.

And self-flagellators
child-flagellators
the shipwrecked on the island of death.

Come down into my soul: the female weepers
the female laughers
but something to weep or laugh about
wasn’t visible just then.
Even so they were at hand as a deliverance.

And I thought that all that was now taking place
did so in an age
that was not only that of man.

And I listened to the far-off hills
and I heard there
the utterly clear laughing
and utterly clear weeping

*

All the low-slung frogs came leaping
those who at night form
one great protracted clucking –

A clucking for all forms of what is alive
not least the hybrid forms.
And I asked myself if I was a frog
in the circle of frogs
a monkey in the monkey cage.
Or a crow
in the cunningly laid snare.

*

This very night
an old well-known discus thrower
descends from his marble plinth
he is tired of the white
he asks for the pig’s snout
the crayfish’s leg.
And the pair of twins with wolf fangs
do not hold him back
nor does the fish of fishes.
He then flings his discus
way, way beyond the stands.
What do the marble staircases say then
yes,
what do the city planners say.

After staying there for a while down in
the world of the crayfish
he makes his way back to the marble
but
what one once has abandoned cannot be recovered
all that easily.

And it was not the night
that then gained its completeness
and it was not the night’s morning
but it certainly was a seduction.
Yes, it was like a resurrection from the
graves of time.

And the dream of the discus thrower
to be sculpted stone once more
came to nothing.
Far too uncertain and sown with doubt
was his craving for the stone
and far too many memories existed in the wind
above the square.
Then
he left the stone for good
and went to those free in the disease.
Laugh oh my soul, he said
try a laugh at the moment of abandonment.

*

Then I heard once more
how the plains and more distant mountains laughed
and I went out to meet them.

And I went to the old snake –
she the female snake among the boulders
with her cleft tongue
she who sloughs her skin
and swallows her food whole
she with her inflexible smile
who guards the origin of the world.

She looked at me playfully
and held out the poison to me
when I approached.

Be of good cheer, she whispered.

Wednesday, 23 June 2010

Here's one by Brorson!


Up! Everything that God has made

Up! Everything that God has made,
His glory now be praising,
The smallest creature too is great,
And proves his might amazing.

Though earth’s great kings came forward, clad
In all their might and mettle,
The smallest leaf they could not add
To but a single nettle.

Yea! all the angels with their power,
Like sceptres in high station,
Have never caused at any hour
A speck of dust’s creation.

The smallest blade in vale or wood
No wonder can excel it,
Where should I wisdom gain and could
Find ample words to tell it?

What should I do now when my mind
Is slow in comprehending
How great the host of humankind
Their earthly way are wending.

What shall I utter, when I see
The woods with life abounding,
The many birds that leap with glee
Beneath the heaven’s rounding?

What shall I utter, when I walk
Among the meadow’s flowers,
When all the birds in song do talk
Like thousand harp-string showers?

What shall I utter, when my mind
Down on the sea’s bed merely
So little in its depths can find
And many mouths see clearly?

What shall I utter, when I yearn
To gaze at heaven rightly,
And all my thoughts will upwards turn
To where the sun reigns brightly?

What shall I utter, when I see
How hosts of stars are gleaming,
How mildly each smiles down at me,
And I return their beaming?

What shall I utter, when I soar
In spirit to my Maker?
And see th’angelic hosts in awe
Stand mustered by the acre?

What shall I utter? All I say
Says nothing and seems mindless;
Oh God! Your wisdom rules alway,
As do your power and kindness.

All that’s imbued with spirit shall
Our Maker soon be meeting.
His praise shall sound in hill and vale,
This earthly world completing.

Oh! Praise the Lord all those below
With voice and senses willing,
And all who dwell above now show
Our Maker’s praise in singing.

Let all below with one accord
Join joyfully in winging
Their Hallelujah! Great our Lord –
Amen the heav’ns are ringing.

A well-known hymn by the Danish writer Grundtvig, in the true Kingo and Brorson tradition



To rightly bid the world farewell

To rightly bid the world farewell
at life’s first dawn or evening knell
is hard for us to fathom.
It never would be learnt on earth,
were you not with us in your word,
Oh Jesus, as in heaven.

Though solace oft I found with you,
when my heart quaked, and tears broke through,
and worldly waves did thunder,
my soul to dust yet seeks to cling,
my heel the serpent yet does sting,
though you its head did sunder.

Oh Jesus, Master, brother sweet!
Death’s bitterness you know complete,
for you all death did vanquish.
You know us fully, every one,
know well, time’s sands that ever run
our hearts do fill with anguish.

Oh come, as once you did, I know
you will yourself quite clearly show
in all your Father’s glory,
were it at dawn or evening knell,
I’d rise up with but brief farewell
your heav’nly cloud before me.

But should death come before you do,
come secretly, remember too
the grave will all things darken!
Enhalo me, that darkness end,
anoint the eye of your sick friend,
so I may see God’s garden!

In the last night watch, come, draw near,
arrayed in clothes of one who’s dear
and sit down close beside me,
and speak with me, as friend to friend,
of where we soon will meet again,
forget what pains us direly!

Come as you wish! For well I know
you’ve said your voice may here below
reveal you to creation:
that voice, though all the world should rage,
which makes our heart within us blaze
and melt in consolation.

Oh, let me at my final hour
hear from your mouth that with great power
can speak of life and spirit:
how heaven beckons constantly,
how in your halls a chair for me
awaits which I’ll inherit!

Ere death with icy hand should strive
’twixt dust and spirit to divide,
and make heart’s warmth grow dimmer,
with trusting eagerness I’ll rest,
as does the child at mother’s breast,
embraced by my redeemer.

(for a hymn by Kingo, see 06.12.09)

Tuesday, 22 June 2010

A poem by the Swedish writer Lars Gustafsson


An early summer day at Björn Nilsson’s grave
(Midsummer 2005)

Väster Våla graveyard in the light of early summer
and with the kindly southwesterly wind over

Brusling’s meadows that must have been there
that mild morning in the sixties

when we invented the Monster in Bo Gryta.
The monster was a huge mole, and we needed it

to have something to write about in Expressen.
(It was one of those irritating weeks

when everything refused to happen,

world history hesitates or meditates
on what the next really lousy surprise

is to look like and no star had broken his leg.)

Bo Gryta is a deep-hole in the Åmänningen lake
To be found a few kilometres outside

the villages of Bodarne and Vretarne, on a line
between the former Boda harbour, where the wreck

of an ore smack that capsized and sank is said
to lie, though no one knows where, and Dentist’s Point.

How deep is this deep-hole? Nobody knows.
Many have tried with plummet and line.

And when the line came up, snipped
just as elegantly as with a razorblade

or the chain they tried instead,
the cut just as shiny and neat

from what can only be
extremely large teeth, the attempts

were abandoned. Christopher Middleton
described them in his poem ‘The Mole’.

This really had an effect:
for a couple of summers latter a busload

of Englishmen, eccentrics and experts
came for the monsters of the deep. They sounded

and took notes. Per Brusling offered them coffee,
now an old man who knows quite a lot about the lake.

The summer wind passes over Björn Nilsson’s grave.
And I’m afraid I am the only one left who knows

how it really happened.

The expedition returned
deeply convinced that this giant mole

not only gigantic and malevolent,

is also sly, extremely sly,
and knows how to hide in murky depths

whenever anyone comes there
in search of it.

Friday, 18 June 2010

A poem by the Dutch poet Hanny Michaelis


Amongst the other trees,
luxuriant green colossi,
that one, scantier of bud each year
and now merely a finely ramified
skeleton, frail enlargement
of a leaf in autumn
wasted down to the very nerve.

A caricature of Goethe’s
green-golden tree of life,
but closer to the truth.