Friday, 7 August 2020

Astrid Hjertenæs Andersen (1915–1985): 'Hestene star I regnet '(1948)



Horses standing in the rain

When my mind is full of dreaming,
ever vaguer and more distant
than my thought can find the words for,
ever wilder and more torrid
than my heart can comprehend,
I want just to stand where rain falls
stand out in the rain like horses 
on expanses of lush grassland
midst the mountains’ weight, as here.

Stand and feel my body sucking
all this coolness, strength and wetness
that in steady streams now trickles
down my face, my hair and hands.
Be just like the forest sucking
at the sky’s breasts like an infant.
Be like grassland, full of sweetness,
trembling with devout desire.

Just stand in the rain like horses,
with wet flanks and leaning sideways,
letting scent of soil and moisture
strongly, sweetly fill my mind,
I just want to stand there being
let the drizzle sift down on me,
until thought that’s free from fever
follows dreams to perfect clearness
in a stillness sheer and calm.

Klaus Høeck: 'Bird in Space' (1927)



bird in space
(1927)

but what bird? – it is
not a carrier pigeon
at any rate whose

flight is far more hor
izontal across the land
map of the centu

ry perhaps a bit
tern or heron in the lake’s brass
no i think it is

a swift on its way
through the eye of the needle
of the universe


Klaus Høeck: 'Ecstasy' from 'Palimpsest' (2008)



ecstasy
(1910)

stone in ecstasy
and why not if you consi
der the fact that ec

stasy means be
ing taken elsewhere – pulled out 
of oneself and hence

not subject to out
side influence as when tak
ing methylenedi

oxymetham
phetamine – after all it
is called being ‘stoned’

Klaus Høeck, 'Res Ipsa' from 'Palimpsest' (2008)




res ipsa
(1983)

the stone from ene
bær-odde i begin by
wrapping in cling film 

so tightly and pre
cisely that one cannot see
the film with the na

ked eye after which
 i remove the polystyr
ene again and re

place the stone on the
window-sill once more – so much
for ‘das ding an sich’

Tuesday, 4 August 2020

Dan Andersson: 'Branden'

The Fire

 

See spring, young and green, lightly run

through the meadow near Norrbysjön, 

and still night, like a guarding mother

of roses and grass keep track.

But, as evening shadows consume

playful flames start to sputter and fume

and lick round the roof made of birch-bark

of Norrby fiddler’s small shack.

 

The By fiddler plays to crowds

and sees flames against dark-grey clouds,

and flies like a nest-threatened vulture

with a fear of death that is raw.

‘Oh – on fire is your crusty bread,

and the old grey woman is dead!’

‘the white-skinned hand,’ sings the west wind

‘is as black as a crow’s spread claw.’

 

There as dense as a wall of lead

the dancers crowd round in dread,

and knee-deep in grass stands the fiddler,

white as a corpse grown chill.

‘Oh, God, is my mother with you?

Lord God, grant me faith that is true –‘

There rose to the purpled heavens

a death scream subdued yet shrill.

 

‘Her blanket was white as snow,

her flowers a blackened dead glow –

all is mine tonight,’ the storm told him.

Well-seasoned am I and strong,

ah – the fire and I have raged

like a plague the wedding’s been staged,

since the dawn made its way o’er the mountains,

white as a new-born swan.’

 

But like one who’d not utter a sound

the fiddler now sank to the ground

with flames his head now caressing

midst the rose-heap’s dwindling pyre.

Like a friend of the death-bringing red

the storm a wilder gale bred,

like a sea of fire-yellow lilies

the sky saw him baptised in fire.

 

‘Did the old one not find safe ground?

Will no songs from her lips ever sound?’ –

‘Now the last song’s sung,’ sang the meadow,

‘to no more she’ll aspire.’

And a breeze then roused a red plume

in the crab-apple’s charcoaled bloom

when the last of the cream-white tulips

fell dead into the fire.

 

But a brittle, drunken pling, 

like a snapping white-burnt string, 

was heard sniffing out in the grasslands

at a mournful poppy’s demise.

The black fiddle had now begun

its last tune in the morning sun,

as day over dew-moist meadows

slid on misty wings through the skies.


To see the original, go to here.
To hear the original sung in Swedish by the Elwe Json, the composer of the music, go to here

Rutger Kopland: 'Juffrouw A.'

Juffrouw A.

Op 19 september, een nevelige
negentiende, stapte juffrouw A
aan de verkeerde kant van
haar scheepje Steeds Tevreeden
in het Meppelerdiep.
Het was al koud, zij had
de kachel niet aan kunnen krijgen,
haar oude moeder was gestorven,
alles roestte en knarste, vanuit
haar kombuis leken god en 
sociale zaken niet te bereiken.
Zij ging van boord.


Miss A.

On 19 September, a misty
19th, Miss A. stepped
off the wrong side of
her small boat Ever Contented
into the Meppelerdiep.
It was already cold, she had
been unable to light the stove,
her old mother had died,
everything rusted and creaked, from
her galley god and the social services
appeared to be inaccessible.
She disembarked.

Medieval Norwegian Ballad of the Dream (Moltke/Moe version)

The Ballad of the Dream

I

Hark unto me, a tale I’ll tell of a young man bold and strong,
a tale of Olav Åsteson, who slept a sleep so long.

On Christmas Eve he laid him down, he soon fell fast asleep,
he did not wake till past Twelfth Night when folk their church shall keep.
       And it was Olav Åsteson, who slept a sleep so long.

On Christmas Eve he laid him down, his sleep no one could break,
he did not wake till past Twelfth Night when birds their wings did shake.

He did not wake till past Twelfth Night, when it was morning tide,
Then did he saddle his fine steed and off to church did ride.

The priest up at the altar stands, reels prayers off by the ream,
Olav he sits down in the porch and tells of many a dream.

Men there were both young and old who lent a willing ear
while Olav Åsteson told dreams for all to hear.

II

On Christmas Eve I laid me down and soon fell fast asleep,
I did not wake till past Twelfth Night when folk their church shall keep
       For the moon shines bright and the roads are endless wide.

I have been high above the clouds and down in the blackest sea;
the one who’d in my footsteps tread, his heart shall ne’er laugh free.

I have been high above the clouds, in the darkest depths of the sea;
the one who’d in my footsteps tread, his mouth shall ne’er laugh free.

I have been up above the clouds and waded in mire as well.
Of heaven I have caught a glimpse and felt the flames of hell.

O’er holy water I have fared and valleys that lie low;
the water I hear yet cannot see, underground it surely must flow.

I am so tired and travel-worn, from thirst I burn like the sun;
the water I hear but cannot reach, underground it surely must run.

My sable steed it neighed not once, my dog no bark gave he,
the morning birds made not one sound – wondrous this seemed to me.

I found myself in another realm for many a long-drawn night,
as God in heaven knows I saw so many a sorry plight.

I know a bit of this and that, and therefore am found shrewd;
long was I buried ’neath the ground ere I thought this death good.

III

First on my journey I set out o’er a plain of sand and thorns,
My scarlet cloak was sorely rent, from each toe the nail was torn.
       For the moon shines bright and the roads are endless wide.

Next on my journey I set out through the narrow ring of thorns,
My scarlet coat was sorely rent, from each finger the nail was torn.

Then I arrived at Gjallar bridge that hung so high in the air
all of beaten gold it is, with studded turrets there.

The snake it strikes, the hound it bites, the bull it blocks the way;
these are the three on Gjallar bridge, their wrath makes all dismay.

The hound it bites, the snake it strikes, the bull stands ready to gore –
no one can pass over Gjallar bridge whose judgments flout the law.

I have crossed over Gjallar bridge, it was both steep and grim;
have waded through the miry bogs and now have done with them.

Waded have I through miry bogs, where I foot can never touch ground;
Crossed over Gjallar bridge have I, with grave-earth in my mouth.

I have crossed over Gjallar bridge, decked out with hooks and barbs,
worse though the bogs – may God preserve whoever there would pass.

IV

Then did I come to waters wide, where ice burns glittering blue;
God put this clearly in my mind, so from there I fast withdrew.
       For the moon shines bright and the roads are endless wide.

I found myself in another realm, where none could I behold,
only my blessèd godmother, her hands decked with red gold.

Some travelled over Grimar ridge and some over Skåle strand
but those who Gjallar pool did cross, bedraggled they reached land.

Then I did swerve off to the right, where the Milky Way does rise;
and gleaming over beauteous lands did I glimpse Paradise.

My godmother I saw once more, who saw how it fared with me:
“Now journey you to Brokksvalin, where Judgment Day shall be.”

V

Then did I come to the pilgrim’s church, where none could I behold,
only my blessèd godmother, her hands decked with red gold.
       In Brokksvalin, where Judgment Day shall be.

A mighty host came from the north and fiercely it did ride.
With Grizzly Greybeard at its head, a great host at his side.

A mighty host came from the north, and now I feared the worst;
With Grizzly Greybeard at its head upon a jet-black horse.

A mighty host came from the south, my heart from fear was freed;
Archangel Michael at its head upon a milk-white steed.

A mighty host came from the south and calmly it did ride;
Archangel Michael at its head, closest to Jesus Christ. 

A mighty host came from the south and slowly it did ride;
Archangel Michael at its head, his horn was by his side.

Archangel Michael took his horn and blew it loud and clear:
‘And now for every living soul does Judgment Day draw near!’

But then each sinful mortal shook like aspen leaves in the wind,
and each and every soul alive shed tears for every sin.

Archangel Michael took the scales and all did pay in kind,
all sinful souls that he there weighed were to Jesus Christ consigned.

VI

I saw a young man bear a boy, the first thing I did see;
his victim’s weight so burdened him he sank down to his knees.
       In Brokksvalin, where Judgment Day shall be.

Next that I met with was a man whose cloak was made of lead:
his sorry soul on this our earth was miserly indeed.

Next that I met with were some men who carried burning clay;
may God have mercy on poor souls who shift border stones away!

Next it was children that I saw, consumed in a fiery pit:
God’s mercy be with sinful souls who on father and mother would spit!

Next I did meet with toad and snake that each other sought to bite:
they were but sinful siblings who each other sought to blight.

Next did I meet a pair of snakes that would bite each other’s tail:
they were but sinful cousins who by carnal lust were flailed.

Then did I come to the Witches’ Gaol where hags were fettered in chains:
their task was churning crimson blood, which was a dreadful strain.

The heat of hell is a torment drear, worse that can e’er be abhorred;
there o’er a cauldron of pitch they hung, on a priest’s back it was then poured.

VII

Blessed is he who in life on earth the poor in need gave shoes:
He need not walk o’er the thorny heath barefoot should he not choose.
       Tongue shall speak and truth reply on Judgment Day.

Blessed is he who in life on earth to the poor in need gave a cow:
No faltering steps need he e’er take on Gjallar bridge’s high brow.

Blessed is he who in life on earth to the poor in need gave bread:
When hounds fierce howl in the other realm, he need never stand in dread.

Blessed is he who in life on earth to the poor in need gave corn:
On Gjaller Bridge he need never dread the bull with the sharp-tipped horn.

Blessed is he who in life on earth the poor in need gave meat:
In the other realm he need never dread either scorn or bitter hate.

Blessed is he who in life on earth the poor in need gave clothes:
In the other realm he need never dread the glacier where blue ice glows.
       Tongue shall speak and truth reply on Judgment Day.

VIII

Men there were both young and old who lent a willing ear
now has Olav Åsteson told dreams for all to hear.


Monday, 3 August 2020

zkv94

ZKV94

1 Awake, awake to love and work!
The lark is in the sky;
The fields are wet with diamond dew;
The worlds awake to cry
Their blessings on the Lord of life,
As He goes meekly by.

2 Come, let thy voice be one with theirs,
Shout with their shout of praise;
See how the giant sun soars up,
Great lord of years and days!
So let the love of Jesus come
And set thy soul ablaze.

3 To give and give, and give again,
What God hath given thee;
To spend thyself nor count the cost;
To serve right gloriously
The God who gave all worlds that are,
And all that are to be.

(Geoffrey Anketell Studdert-Kennedy, 1883-1929)

As so often, it is Pa’s Methodist hymn book that has been buzzing around in my brain. No. 588 this time. The tune, in F major as I rightly guessed, is utterly appropriate and listed as a ‘German traditional melody’. That must be why, as my cerebral submarine starts to rise from the depths, I find myself composing verse in German: Wach auf, wach auf, betrübtes Herz/Du kannst nur fröhlich sein/Vergiß jetzt deinen alten Schmerz/Im warmen Sonnenschein. And then, as I approach the surface of consciousness: Wach auf, wach auf, du alter Narr/Du solltest fröhlich sein/Der Himmel ist so blau und klar/In deinem Glas voll Wein. And yesterday I surfaced with something completely my own: And like a flügelhorn/I greet the dawn. At which I mutter Ogden Nash to myself: I have a bone to pick with fate,/Come here and tell me girly,/Do you think my mind is maturing late,/Or simply rotting early?
Nash entitled this quatrain ‘Lines on Facing Forty’. At least I nearly doubled this before it started to become uncomfortably relevant. And while we’re at the 80 mark – my brother was born 80 years ago today. And Ma and Pa got married 82 years ago today. I salute them. Stored away in my mind. So be it. And like a flügelhorn I greet the dawn.