Saturday, 25 February 2012

Same theme - this time a poem by the Dutch writer Gerrit Komrij


De taalsmid

De klinker en de medeklinker zijn
De weke onderbuik en het korset.
Dichter is hij die, schijnbaar zonder pijn,
Het vormeloze in de steigers zet.

Zijn woorden, corpulent of slank van lijn,
Verenigen zich vloeiend tot couplet.
De moeiteloosheid, niet het rookgordijn,
Is zijn geheim. Met taal gaat hij naar bed.

De taal, van A tot Z, is zijn fles wijn.
Halfdronken wordt er, zomaar voor de pret,
Een kind verwekt, een epos of kwatrijn,

Of iets daartussenin, zeg een sonnet,
Terwijl de lezer onbekend blijft met
Zijn worsteling met spekvet en balein.


The language forger

Language’s consonants and vowels portray
The corset and the flaccid belly’s spread.
A poet’s one who’s able to display
An ease when boning them that seems inbred.

Obese or slim, his words without delay
Unite, in fluid couplets sweetly wed.
His secret’s effortlessness, not to lay
A smoke screen. He takes language off to bed.

His flask of wine is language - A to Z.
And when half-drunk - albeit just in play -
He spawns a child, an epic or quartet,

Or something in-between - a sonnet, say.
His fight with blubber, though, and whalebone stay
The reader never knows is left unsaid.

Friday, 24 February 2012

Poem by the Swedish writer
Erik Axel Karlfeldt (1864-1931)

The rhyme smith

Now, coarsely wrought iron from my thoughts’ own smithy,
my sledge shall test the utmost you can bear.
I know your chain’s links snap, that this is risky,
but likewise know there’s honest steel in there.
From my home mine and slash-burnt acres’ clamour
I gained my iron and charcoal for the fire,
I gripped – as once each sweetheart’s waist – my hammer
and fanned my forge’s flames with keen desire.

How bright the anvil’s song when dusk was swelling,
in evening coolness when my youth’s sun set!
The clanging, how it spread! From farm and dwelling
with chiming youthful voices it was met.
But out of sight, alone, hard iron unfurling,
toiled with great zest the half-apprenticed bard
and smiled at all the hot flakes round him whirling,
though many a spark his pitted skin still scarred.


To see the original poem, go to here.

Thursday, 23 February 2012

Poem by the Swedish writer
Carl Snoilsky (1841-1903)


Gammalt porslin

En kung i Sachsen samlade porslin,
        Men samlingsvurmen blef en riktig sjuka.
        Han bytte bort till kungen i Berlin
        Sitt garde – tänk – mot en kinesisk kruka!

Femhundra man med sabel och karbin,
        Som preussarn visste att förträffligt bruka,
        I exercisen smidiga och mjuka,
        I krig en mur, tänk, mot – en blå terrin!

Femhundra man med hårpung och med puder!
        Slikt dårhusdåd allt vanvett öfverbjuder
        Från världens början – ja, så tycker ni.

Se’n bytet gjordes, har ett sekel svunnit:
        Femhundra tappra hjärtan brista hunnit,
        Den gamla krukan – hon står ännu bi.


Old china

A king in Saxony collected china,
        This untamed urge though threatened to derange.
        For with the Berlin king he went on to exchange
        His guards – well! – since a Chinese vase was finer.

Five hundred men who with carbine and sabre
        – Their use the Prussian knew quite by routine –
        At drill were smooth and stylish in their labour,
        In war a wall, well! – for a blue tureen.

Five hundred men with chignon and with powder!
        No madman’s act to heaven could cry louder
        Since time began – yes, you think this a fact.

A century has passed since this proceeding:
        Five hundred valiant hearts have ceased their beating,
        The vase in question – it is still intact.

Wednesday, 22 February 2012

Sonnet by the Swedish writer
Georg Stiernhielm (1598-1672)

The Amazoners
Til then
Stormächtigste Drottning
CHRISTINA
Sonetto.

Hjeltinna, hwilkens Nampn, och Seger-rijke Hand,
                  Wett, wijßdom, dygd, förstånd, och herlige bedrifter
                  Wijdt öfwerga all prijß, som gifs i gambla Skrifter
The störste Hiältar, vnder Solen i all Land:
I Eder dygd består wärt Köns beröm och Stand,
                  Wår forne högheetz rätt, wårt wälde, prijß och heder
                  Förnyjat ökas, store Drottning, genom Eder.
Alt Mans-twång är nedlagt, och slijtne theres band.
Then Seger som Wij daglig öfwer Eder winne,
                  I blöde Män, them Wij vthi wår ögons macht
Oß tienstbar’ göre, skatte Wij vthi wår Sinne,
                  För ringa Saak: Men thetta är vthi wår acht:
At böija Halßen vnder lydnan och betwinga
The stolte Hiertan, them wårt Wälde synes ringa.


The Amazons
To the
Most Mighty Queen
CHRISTINA
Sonnet

Oh heroine, whose name, and whose victorious hand,
                  Wit, wisdom, virtue, sense, and wondrous feats exciting
                  Do far exceed all praise bestowed in ancient writing
On greatest heroes ’neath the sun in every land:
Your virtue does enshrine our gender’s rank and fame –
                  Our ancient noble right, our rule, our praise and honour
                  Through you, great queen, are now replenished and grow stronger.
All male constraint is gone, their ties make little claim.
The victory which daily we o’er you are gaining,
                  You feeble men, whom we by force of eye alone
Bend to our service, we deem worthy of disdaining,
                  Of little note: But our intention here make known:
To make those with stiff necks bow low and bring to earth
Those with proud hearts who judge our rule of little worth.

Tuesday, 21 February 2012

Swedish poem by the Finnish writer Tua Forsström


Anyone who was once there

It is still snowing.
I go up into the tower-room and gaze one
more time out over the bay: heaviness and dizziness.
Someone phones and puts forward optimistic
suggestions, and of course: you can dance the foxtrot
till the very end. But I prefer to make an excursion
to a nearby folklore museum or apply to become
a mezzo-soprano in the church choir, although I don’t
sing all that well. It’s not easy. It is really quite
a problem. I know which continent you set store
by, but now an imbalance prevails between the species
there: everyone took with them some cuddly toy they didn’t
want to leave behind. Now they devour each other. I know which
regions appeal to you, anyone who was once there always yearns
to return. Sweat and whatever else that slid along
the walls when one went to bed. In the tropics
stray dogs are not strays in the same way,
they live and die. The snow swirls ever thicker and faster
round the roses, the darkly shimmering remains of the night.
We don’t remember everything, but a great deal.

To see the original and hear the author read the poem, go to here

Poem by the Swedish writer
Eva Runefelt (b. 1953)


Polderland

Som svävande reflexer
betar de kortväxta hästarna
de ljusa poldrarnas gröna vatten
Djuren försvinner och uppstår
i det vinklade ljuset, hjärnljuset
Tyngdlösa
Det är efter uppståndelsen, april
De stora markernas vila
över år
som rotat i en ny växtlighet
Gräsfåglar, alléer av vindrosor
och nätternas karminljus
ännu inte utslaget


Polderland

Like hovering reflections
the short-statured horses graze
the green water of the light polders
The animals disappear and re-emerge
in the angled light, the brain-light
Weightless
It is after the re-emergence, april
The rest over years of the
huge fields
that has rooted in a new vegetation
Grass-warblers, avenues of windflowers
and the nights’ carmine light
as yet unfolded

Sunday, 19 February 2012

Angst - Danish style: Tom Kristensen (1930)


Angst

Human angst has dominion that’s Asian.
It’s matured during immature years.
In my heart it’s a daily sensation,
as if mainlands each day disappear.

But my angst must be turned into longing,
into visions of dread and distress.
I have longed for mid-ocean disasters
and for wanton destruction and death.

I have longed for great cities on fire
and for races in flight’s headlong surge,
for break-ups the whole world was cursed by
and an earthquake that’s known as God’s scourge.

Angst - Swedish style: Pär Lagerkvist (1916)


Anguish, anguish is my legacy

Anguish, anguish is my legacy,
my throat’s deep gash,
my heart’s scream in the world.
Now foaming cloud grows stiff
in night’s coarse hand,
the forests now and
rigid heights ascend
so barrenly towards the skies’
diminished vault.
How hard it all is,
how solid, black and silent!

I grope around me in this murky space,
I feel the rock’s sharp edge against my fingers,
I tear my upward-stretching hands
to shreds against the frozen tatters of the clouds.

Ah, I wear my nails down to the quick,
my hands I tear till they are sore, are wounded
against mountain and darkened forest,
against the black iron of the sky
and against the cold earth!

Anguish, anguish is my legacy,
my throat’s deep gash,
my heart’s scream in the world.

Poem by the Swedish writer Stagnelius (c. 1815)

 
Vän! I förödelsens stund

Vän! I förödelsens stund, när ditt inre av mörker betäckes,
                  När i ett avgrundsdjup minne och aning förgå,
Tanken famlar försagd bland skuggestalter och irrbloss,
                  Hjärtat ej sucka kan, ögat ej gråta förmår;
När från din nattomtöcknade själ eldvingarne falla,
                  Och du till intet, med skräck, känner dig sjunka på nytt,
Säg, vem räddar dig då? – Vem är den vänliga ängel,
                  Som åt ditt inre ger ordning och skönhet igen,
Bygger på nytt din störtade värld, uppreser det fallna
                  Altaret, tändande där flamman med prästerlig hand? –
Endast det mäktiga väsen, som först ur den eviga natten
                  Kysste serafen till liv, solarna väckte till dans.
Endast det heliga Ord, som ropte åt världarna: “Bliven!” –
                  Och i vars levande kraft världarna röras ännu.
Därföre gläds, o vän, och sjung i bedrövelsens mörker:
                  Natten är dagens mor, Kaos är granne med Gud.


Friend! When destruction is nigh

Friend! when destruction is nigh, when the darkness engulfs all within you,
                  When in the deepest abyss notions and memory fail,
Thoughts now timidly grope midst will-o’-the-wisps and shadows,
                  The heart no longer can sigh, nor eye can shed a tear;
When from your night-befogged soul the wings of fire are now falling,
                  And you, affrighted, feel yourself sinking to nothing once more,
Say, who will rescue you then? – Who is the friendly angel,
                  Who within you will restore order and beauty again,
Build your collapsed world anew, raise up once more the fallen
                  Altar, and there will kindle the flame with a priestly hand? –
None but the powerful being who first from the night eternal
                  Once kissed the seraph alive, wakened the planets to dance.
None but the Word divine, that called to the world: “Be ye living” –
                  And in whose true living power yet are the worlds ever moved.
Therefore take heart, oh friend, and sing in the dark of affliction:
                  Night is the mother of day, Chaos is neighbour to God.

Poem by the Swedish writer
Katarina Frostenson


Myself in a yellow dress

Scatter me brother, with your eye that refuses to close
that only looks out, sees nothing, only the shimmer and flecked sunlight
on water among leaves

in the green of July, under a tree
in the plaited blue basket that amply contained you

when everything hummed around you
and you were like honey

myself in a yellow dress, dark
in the tree, ever darker yellow, shriller, shrieking upwards
yet silent, towards the tree-top
triumph, little brother, over everything
through the weight of the crown
I feel the head of the sun

To see the original poem and hear the poet read it aloud, go to here