Thursday, 19 October 2017

Monday, 16 October 2017

Wednesday, 11 October 2017

Klaus Høeck's contribution to chess literature - now in English!




       i open with the
king’s pawn (aggressive) and walk
       into the dark and

       the somewhat doubtful
aljechin defence (more
       beautiful than lu

       pins) that is to say
black knight to f6 and my
       serbian oppo

       nent also has at
tack in his thoughts i begin
       my counter-attack


       we follow the main
variant to black knight d
       7 (bent larsen’s

       move against mikhail
tal as dangerous as wild
       roses) it is here

       that the white knight is
to be sacrificed which i
       do as the theory

       advises (but in
correctly then calls the po
       sition unresolved)


       the game now contin
ues with the necessary
       forced moves (into the

       wilderness) to the
decisive fourteenth move that
       is to say the black

       queen from d8 is
moved to a5 (origin
       ally discovered

       by a swede but most
ly accredited to the
       russian bagirov


       after a quiet in
termediate move (deep in
       to the shadows) the

       sword’s blow then falls that
move which i have patiently
       been waiting to car

       ry out in real
ity after lengthy a
       nalyses done at

       home – i now move the
white pawn forward two squares from
       a2 to a4


       two exclamation
marks – for even though the move
       doesn’t look like much

       it gives a win in
all the variants (as is
       often the case) see

       the position in
the appendix and try for
       yourself to find the

       decisive move that
leads to the win before read
       ing the solution


       i have chosen to
incorporate this game in
       the collection here

       because it makes up
my humble contribution
       to chess theory

       and i hope that pre
cisely as a poem it
       will survive in the

       rose-garden of mem
ory a bit longer than
       it otherwise would

Wednesday, 4 October 2017

Thursday, 28 September 2017

Thursday, 21 September 2017

zkv59


Dèr Mouw: English translation of one of his 'heath' poems

’t Is nacht. ’k Zit op de hei. Nergens geluid.
Over me staat, als transparant kristal
rondom een oude berggod in zijn hal,
een halve bol van stilte, die me omsluit:

’k hoor, hoe heel ver een lang gillende fluit
een tunnel boort; mijn berg kraakt overal.
Een blaf, ginds, hakt een gat; en recht en smal
knapt een spleet open, tot mijn oor hem stuit.

’k Hoor ’t levend bloed, dat in mijn slapen gonst –
Neen: ’t is het hart van de aarde: het trilt, het bonst,
of ’t niet de god uit zijn verdoving wekt.

Om goed te luistren, doe ik de ogen dicht,
maar ’k word gehinderd nu door ’t sterrelicht,
dat tikkelend door fijne gaatjes lekt.


It’s night. I’m on the heath. Nowhere a sound.
Above, like a transparent crystal wall
round an old mountain god within his hall,
a hemisphere of silence, all around:

I hear far off a whistle shrill and clear
boring a tunnel, rock creaks everywhere.
A bark, there, hacks a hole; a straight and hair-
line crack splits open, till checked by my ear.

I hear live blood, making my temples buzz –
No: it’s the earth’s own heart: it quakes, it thuds,
enough to rouse the god from his deep doze.

To listen better, I shut both eyes tight,
but I’m prevented by the stars’ bright light
that trickles through a sieve of tiny holes.