Thursday, 19 October 2017
Monday, 16 October 2017
Wednesday, 11 October 2017
Klaus Høeck's contribution to chess literature - now in English!
king’s pawn (aggressive) and walk
into the dark and
the somewhat doubtful
aljechin defence
(more
beautiful than lu
pins) that is to say
black knight to f6
and my
serbian oppo
nent also has at
tack in his
thoughts i begin
my counter-attack
we follow the main
variant to black
knight d
7 (bent larsen’s
move against mikhail
tal as dangerous as
wild
roses) it is here
that the white knight is
to be sacrificed
which i
do as the theory
advises (but in
correctly then
calls the po
sition unresolved)
the game now contin
ues with the
necessary
forced moves (into the
wilderness) to the
decisive fourteenth
move that
is to say the black
queen from d8 is
moved to a5 (origin
ally discovered
by a swede but most
ly accredited to
the
russian bagirov
after a quiet in
termediate move
(deep in
to the shadows) the
sword’s blow then falls that
move which i have
patiently
been waiting to car
ry out in real
ity after lengthy a
nalyses done at
home – i now move the
white pawn forward
two squares from
a2 to a4
two exclamation
marks – for even
though the move
doesn’t look like much
it gives a win in
all the variants
(as is
often the case) see
the position in
the appendix and
try for
yourself to find the
decisive move that
leads to the win
before read
ing the solution
i have chosen to
incorporate this
game in
the collection here
because it makes up
my humble
contribution
to chess theory
and i hope that pre
cisely as a poem
it
will survive in the
rose-garden of mem
ory a bit longer
than
it otherwise would
Tuesday, 10 October 2017
Wednesday, 4 October 2017
Thursday, 28 September 2017
Monday, 25 September 2017
Friday, 22 September 2017
Thursday, 21 September 2017
Dèr Mouw: English translation of one of his 'heath' poems
’t Is nacht. ’k Zit op de hei. Nergens
geluid.
Over me staat, als transparant kristal
rondom een oude berggod in zijn hal,
een halve bol van stilte, die me omsluit:
’k hoor, hoe heel ver een lang gillende
fluit
een tunnel boort; mijn berg kraakt overal.
Een blaf, ginds, hakt een gat; en recht en
smal
knapt een spleet open, tot mijn oor hem
stuit.
’k Hoor ’t levend bloed, dat in mijn slapen
gonst –
Neen: ’t is het hart van de aarde: het
trilt, het bonst,
of ’t niet de god uit zijn verdoving wekt.
Om goed te luistren, doe ik de ogen dicht,
maar ’k word gehinderd nu door ’t
sterrelicht,
dat tikkelend door fijne gaatjes lekt.
It’s night. I’m on the heath. Nowhere a
sound.
Above, like a transparent crystal wall
round an old mountain god within his hall,
a hemisphere of silence, all around:
I hear far off a whistle shrill and clear
boring a tunnel, rock creaks everywhere.
A bark, there, hacks a hole; a straight and
hair-
line crack splits open, till checked by my
ear.
I hear live blood, making my temples buzz –
No: it’s the earth’s own heart: it quakes,
it thuds,
enough to rouse the god from his deep doze.
To listen better, I shut both eyes tight,
but I’m prevented by the stars’ bright
light
that trickles through a sieve of tiny
holes.
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